As L-VIS 1990, James Connolly has been releasing a singular brand of club music free of rules and genres since dropping his eponymous debut EP in 2008. Yes, we understand if you’re skeptical — everyone claims to be a rule-breaker these days. But try putting into words the music on his and Bok Bok’s inimitable Night Slugs label or any of his tracks and remixes over the past few years and it should quickly become apparent that L-Vis 1990 has been doing things just a little bit differently.
James grew up in Brighton, UK, where during his teenage years he began to DJ, produce and promote club nights. He co-founded the Fallout night, while picking up gigs across the city and experimenting with music production software. The booking of NYC producer Drop The Lime for another of his club nights, So Loud!, would prove to be an epiphanic moment, reconnecting James with a love for bass music, inspiring him to write his standout first release. As though setting in motion a domino effect, the track “Change The Game” from that EP piqued the interest of Bok Bok who got in contact with James, thus beginning an enduring creative relationship that would indeed change the game. James relocated to London soon after, although the pair quickly concluded “the city’s music scene is shit and we aren’t feeling it.” The by-product of their vexation was their own club night, Night Slugs.
The energy and creativity surrounding the Night Slugs party had reached critical mass by the end of that year: at the start of 2010 the Night Slugs label was launched with Mosca’s seminal “Square One”. By the time James had made his full NS debut with the anthemic Forever You in August, the imprint had put out peerless music from Girl Unit, Egyptrixx, Lil Silva and Jam City, and was already being spoken of in terms of ‘label of the year’. A tumultuous first year was encapsulated on Night Slugs Allstars Volume One, while James and the extended NS family had successfully cultivated a vibe and an outlook that was entirely sui generis.
This considerable momentum spilled over into 2011 — killer releases from Kingdom, Bok Bok, Pearson Sound and Jam City made sure of that. In the studio, meanwhile, James had begun to further explore the groove-based exploits outlined on “Forever You” and his remix of Gucci Vump, via re-rubs of Cassius and Round Table Knights. In fact, the real result of these endeavors could be thought of as a lifetime in the making as James prepares to releases his debut album, Neon Dreams, this week through PMR Records. Using exclusively hardware (Roland’s 707 drum machine features on every track), James has crafted a deeply personal record that, through the voices of Javeon McCarthy and Samantha Lim, conveys the story of a year in his life. Neon Dreams brings 15 years’ worth of musical influences to bear, while shifting into focus the love of classic house music that has transcended all of James’s output to date. “Creating Neon Dreams for me was about recapturing these elements that made me fall in love with dance music all those years ago.”
Grab a copy of The whole Lost In Love EP [HERE]